Wolf Alice’s performance at Leeds’ First Direct Arena last December (2025) was a compelling demonstration of a band operating with immense artistic confidence. Far from being overwhelmed by the scale of the venue, they commanded it by creating an immersive yet deliberate atmosphere.

Ellie Rowsell proved, once again, to be an exceptional frontwoman. Her ability to move seamlessly between raw intensity and quiet vulnerability served as the emotional centre of the gig. The shifts in dynamics in between songs were executed perfectly; contrasting songs were played back to back but, somehow, Wolf Alice were able to smoothly move from one song to the next. 

The setlist was clearly thoughtfully structured, balancing familiar material with newer songs that already felt like you’ve heard them live before. That was all due to the band’s assured and polished delivery. Rather than relying on constant momentum, the outfit allowed tension to build organically, trusting both the tunes and the audience. 

Visually, the show was beautiful. Subtle lighting choices produced an individual undertone for each individual song. So, the set design for the concert was impeccable. They had a large, star-shaped structure hanging above the stage as well, seemingly constructed with layers of shimmering, curtain-like materials. The stage itself was multi-tiered and lined with lights, and the band performed in front of a backdrop that mirrored the stars. Such intricacy — a masterpiece!

By the closing moments, it was evident that this Leeds date stood as a testament to the band’s maturing without losing their edge. What a powerful, enthralling event.

Guest gig review contributed by Tom Vrahoulakis.